On 4 October 2026, the Guardian Culture reviewed ‘Once Upon A Time In Sokoto’, a new play by Inua Ellams, performed at the Royal and Derngate in Northampton. The play, directed by Roy Alexander Weise, is set in the Sokoto Caliphate of West Africa and spans the years from 1865 to 1903, a period marked by significant historical upheaval due to British colonial influence. Ellams, known for his creative storytelling, weaves a narrative that includes themes of intra-African slavery, economic shifts, and cultural evolution.
The play features a complex narrative anchored by characters Zinari and Nafisa, portraying a rich tapestry of the cultural and economic dynamics of the time. Zinari, a matriarchal entrepreneur, and Nafisa, her former slave, navigate a society in transition, with themes of feminism and cultural identity at the forefront. The play also incorporates traditional storytelling elements, such as call-and-response chants in Hausa, and addresses the impact of colonial economics through its characters and plot.
Exploring historical themes through theatre
Ellams’s play does not shy away from difficult subjects. It delves into the history of intra-African slavery and the economic implications of such practices. Nafisa’s value as a slave is quantified in cowries, highlighting the economic structures of the time. The narrative also touches on language development and cultural exchange, with references to the meaning of ‘Boko Haram’ and other linguistic elements introduced by colonial powers.
Through a blend of tragedy and comedy, the play provides an engaging educational experience. It juxtaposes historical facts with creative storytelling, offering insights into pre-colonial West African history and the effects of British colonialism. The play remains at the Royal and Derngate until 10 October before starting a tour, inviting audiences across the UK to engage with this vibrant historical narrative.
What this means for newcomers
For newcomers to the UK, understanding local theatre offerings can enhance their cultural experience. Theatre in the UK is accessible, with various schemes making it possible to see plays like ‘Once Upon A Time In Sokoto’ at reduced prices. Initiatives such as the National Theatre’s 16-25 tickets offer substantial discounts for young people, while the National Art Pass provides discounted entry to numerous exhibitions.
The UK’s theatre scene is vibrant and diverse, reflecting a wide range of cultural and historical narratives, including those from other parts of the world. Newcomers can explore stories that resonate with their own experiences or introduce them to new perspectives. Detailed information about cultural opportunities, including theatre, can be found in the UK culture guide for newcomers.
What you should do
- Check age-based theatre schemes: If you are aged 16 to 25, register for schemes like those at the National Theatre, which offer significant savings. This requires proof of age, so ensure you have your passport or driving licence ready.
- Book free museum entries: While many museums offer free entry to their permanent collections, booking a timed slot in advance is often necessary due to high demand, especially on weekends.
- Understand TV Licence requirements: If you watch live TV or use BBC iPlayer, you need a TV Licence. The cost is £180 annually, and it applies to all devices. Make sure you sort this early to avoid penalties.
Frequently asked questions
Do I need a TV Licence for BBC iPlayer?
Yes, a TV Licence is required for any use of BBC iPlayer, whether watching live or on-demand. This includes all devices capable of streaming.
How much does a TV Licence cost?
As of 1 April 2026, the annual fee for a colour TV Licence is £180. This covers all devices at a single address, provided the tenancy is joint.
Are national museums free to enter?
Yes, entry to the permanent collections of national museums is free, though temporary exhibitions may require a paid ticket.
Can newcomers access discounted theatre tickets?
Yes, schemes offering discounted theatre tickets are open to newcomers. They are based on age or availability, not nationality, and require proof of age for age-based schemes.
Source: Guardian Culture: read the original
